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American Creative Dance tango also uses a collaborative composition system that began in the salons in Buenos Aires, where each of the partners is creating in performance, but the connection between the dancers is unique, as they are literally, physically connected for the entire performance. As our Tango Performance Paradigm states, the two dancers dance as one, they become a body with four legs and feet, two heads, etc., moving as one. We also emphasize the connection of the dancers with the music. |
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Tango Performance Paradigm: |
George Lilly |
We collaborated with cellist Wendy Law who played three of Piazzolla's classical works, three of his Études that were originally scored for flute and transcribed for cello by Law. We plan further collaborations with Law using more of the work of Piazzolla The company creates several tango performances a year that include original music and dance, and may include poetry or text and visual art just as all our performance does. Guest artists, especially tango musicians, sometimes join the company for these performances. American Creative Dance is creating art of its kind with this medium and fulfilling it mission. There is a much wider audience for tango than for avant garde modern dance. Part of our mission is to bring the art of dance to the largest possible audiences. This is one way to do that. If audiences are moved and transformed by our tango dance, we rejoice. If they also find that they want to explore our other work, so much the better. |
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70 Fourth Place, #4-D, Brooklyn, N.Y. 11231 |
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